miércoles, 17 de octubre de 2012

Algunas muestras

Últimamente no he logrado escribir mucho, apenas algunas revisiones de lo que ya tenía escrito. Lo rearmo, lo doy vuelta, empecé a traducirlo, pero no logro avanzar en la historia, sólo algunas escenas bastante inconexas. Mi alma aletea estos días entre la música y la pintura digital, para las que tampoco encuentro el tiempo suficiente ni la concentración necesaria para dar los acabados finales, todo queda en amagues...
Pero como es lo único en lo que he logrado algunos avances fuera de la producción estrictamente laboral, quiero compartirlo por acá, quizás al 'sacarlo a la luz' logre mirarlo de una manera que me permita completarlos.
Los primeros muestran la evolución de una figura hecha con  blender para completar parte de lo que estoy escribiendo; la última figura de blender representa otro de los personajes, aunque en la práctica resulta un poco difícil diferenciarla de la primera.





Seguidamente, un vaso hecho a partir de un tutorial:

A continuación, algunas cosas hechas con gimp, experimentando con acuarelados:




domingo, 5 de agosto de 2012

Thank you

I wish to thank all of you who kindly read my last posts, putting up with my faulty English, and gave feedback, which was really very valuable. I  am now going to take some distance from this blog, or at least from the musings on other possible developments of my life, although I might occasionally publish whatever thoughts that upcoming events arise.

Regarding the current musings I have enjoyed them a lot; I am not ditching them, it's just that they led me in a different direction. In this regard, they fulfilled their original purpose, which was to get a better glimpse of what I wanted in life. In fact, they gave me much more than this, since I will be using some of its material for a project I am working on right now, which I hope to be able to share with an audience in a while. 

For the time being, I would like to heartily thank all of you again for your patience, as well as the author of the books that set these musings going, Stephenie Meyer, for giving me a new perspective; and, of course, The Free Dictionary, for making it possible for me to communicate in a language that is not my native one.

domingo, 22 de julio de 2012

More on the interleaved alternate futures: trying a new perspective

There is a while since I last wrote on the alternate futures I wanted to consider. Even though I had some material written, it did not seem ready for posting and I could not concentrate enough to go over it. While in Buenos Aires I was overwhelmed by the many threads that unfold themselves before me; afterwards, I had to catch up with work I had been postponing... so in neither case I was in the mood for posting but the little things related to my visit to the Teatro Colón.
My last post on the alternate futures explored the possibility of going into the advertising industry, if you remember. I also hinted that I wanted to do theatrical costuming, but was not sure of it as a feasible way to make a living.
After reading it again, I noticed that even while imagining other ways, another possible futures, I could not avoid compromising, straying away from the things I would want the most towards what I imagine to be more acceptable by society at large, dulling my inner yearnings to an extent that practically ensures boredom. Why is it that even in an imaginary world, where theoretically anything would be possible, I do divert from the things that would give me most pleasure? I cannot help but asking if they really would. Or is it rather that I want to believe they would but in fact I'm afraid they'll lose the magic they hold for me? Do they seem magical to me because of an inner call or solely because they are the opposite of what is familiar?


As a matter of fact, it is very hard for me to imagine other possible outcomes than the one which really took place. It is as if with all the ups and downs of the life I really lived, it was the one and only possible way; on the other hand, we know with a great degree of certainty that present circumstances are shaped by previous decisions. Until recently, I strongly believed that the only sensible development for my life was the one that led me to this place; the wonderful scenery of the Patagonian foothills, with their impressive and steep mountains and green and red forests surrounding a big and icy lake, did a lot to ease my Japan-nostalgia, I became -or so I felt- a much wholer being. But now I am also beginning to question these assumptions in spite of the fact that I can hardly picture myself in the long run in any situation that might differ drastically from the one I consciously lived. Maybe we are bound to see univocal realities.....
I wonder if I had really enjoy a career in advertising the way I tried to sketch it in the previous post. Would it be artistic enough for me? Would I have been artistic enough for it? On a more personal level, would I have married? Would I have had other children? It might seem odd to mix those to levels, professional and personal fulfillment, but what I now know for certain is that both are so much a part of me that it would never suffice to attain perfection on any one of them if the other were to be absent.
On the personal, emotional level, I wanted my son very much to have a father and siblings that shared their games with him, to have a family; the men I had met until a few months I left for the South weren't much into it. I hadn't met the right ones, obviously; but I wonder if I would have seen the right man, even if he was standing right in front of me, or if I would be able to meet him under different circumstances.
It is interesting to see how much I was then torn by the same tensions that have been my steady companions: the longing for a quiet, simple life on one hand, and the burning desire to produce something outstandingly important, such as a piece of art or an insightful essay -the medium didn't matter so much- on the other hand.... It is as if I always were not one but many people all at once: a thinker, an artist, a plain homemaker.... craving for attention but at the same time shunning from it. How could any one of these get enough hold of my being to make me able to choose a coherent path, follow it and be content with the decision? When the summer air got thick with the scent of wildflowers and resin and timber, when the fruit got ripe in the trees, I longed for a natural, peasanty way of life; I wanted to be a homemaker creating homemade preserves and cakes and hand-sewn things for my home, I fantasized with hiking and mountaineering -which, by the way, I never mastered. But after a while leading this kind of life, being in charge of cooking, washing, caring for the children and tending to the animals -2 dogs and some chickens- I would get deeply annoyed and wretched by its plainness and would begin looking for something to strain my brain; there was nothing like the power of the flying mind to make me feel alive – until it stuck against the ceiling, much like a butterfly analogy I remember from a reading in my German class. And then it would all begin again.... Two antagonistic forces, two natures constantly colliding, none strong enough to prevail, not able to coexist unless something bonds them, holds them together. Well, the search for that kind of glue is precisely the point behind these convoluted musings...

Regarding marriage, I cannot picture me at all as having married in another alternate life. I'm sure I would have had a couple of relationships, some better and some not so good, maybe some outright bad, but I doubt I would have ever committed myself to any one of them. It seems to me that being able to express myself artistically and loving my child would have been more than enough, or so I would have told myself – thereby hiding the fact that deep inside I was utterly afraid that any relationship I might devote myself to would eventually hamper the flow of my creative energy.

Going back to the story, let's suppose that I got it right for once and that I didn't allow myself to be distracted from what I really wanted. What was it? The costume workshop at the Teatro Colon in Buenos Aires lured me. Wouldn't I be able to afford myself a little time to try it? It is true that I had a son to support and that my mother wasn't able to contribute much by way of money. But she was a loving mother and she adored my child. I had a place to live on. How long would it take to get a paid position at the workshop where I wanted to be? Half a year? One year? Experience told me that positions within government managed institutions -like the above mentioned theater- tended to consolidate themselves after some time; these time spans could range from a few weeks to about a year. Wouldn't I be able to make do for a couple of months, let's say even half a year? Or a full year? I doubt I could have spent a full year totally unpaid. But on the other hand while performing unpaid for work I would be gathering skills and opportunities to show them, no doubt there would be chances for paid services, like, say, other people at other stages needing help.
No doubt that it wouldn't be easy. My mom would get very anxious, I know. I would have to be extremely careful not to let her anxiousness draw on me. I would have to be very strong to prevail in my decision. I would have to be on guard against doubts -other people's and my own- that might undermine my resolve. Well, could I be all that? Watching me in real life this seems like a long shot. But then, the whole point of this discourse is seeing what made me act as I acted and change it. This one here looks as a very good starting point.

I had not always been as fearful and insecure as I eventually got. When I decided to leave for Japan, for instance, I knew my family and especially my mother wouldn't take it easy; the same when some time before I had decided to move alone. But I made both. And it felt great. Liberating. So it seems that I was indeed able to master some degree of resolve and bravery. What changed it? In hindsight, I think that it began subtly while in Japan. Although I remember it as the best time in my life, the one point in time I always wished I could to go back to, it was not at all a rosy time. I wanted to fit in my new society in a way I hadn't felt in my own country (where, by the way, I never actually blended in). But I was at a loss regarding social norms, counting exclusively on the patience of many. Funny, I never saw it this way before; but watching me through the lenses of today I can feel that without noticing I was slowly slipping in the common pattern of adaptation, of trying to guess what was expected from me and be that. Then, while I wanted to stay longer, again quite practically I decided against my wishes and returned to my home country. At that time it seemed like the only sensible decision; I believe still that it was the healthier outcome. But I also see that I have put some sort of blockade on that episode, repressing any adverse feelings it might arise. Back at my former home I folded again into the role of a sometimes nasty but otherwise obedient daughter. Although I consciously denied it, I became wary of the future; I became afraid of so many things: of not being able to support myself and my little baby, of what other people might think of me, of not being a good mother, of letting my little boy down, of a myriad of tiny anguishes all centered around our future. I had developed a Lebensangst that choked my spirits. And I barely noticed.

jueves, 5 de julio de 2012

More on the Teatro Colón from Buenos Aires


Last time I posted about the artistic beauties of the theater as a building; today I would like to share some pictures that hint at the great quality of the workshops, particularly regarding the tailoring one. First, though, a couple of pictures of the building plan as depicted on a board at the park in front of the theater.
General view of the board
A detail of where is what


More on locations
Next, pictures of some of the costumes in exhibition at one of the main halls:

Anne Boley, from the oper Anne Boleyn
by Donizzetti

Henry VIIIth, from the same oper

Prince Kalf, from the oper Turandot
by Puccini

Princess Turandot, from same named oper


Although the pictures are not very good -flashes were forbidden- you can still see the luxurious details in embroidery and cloth; these pieces are quite old and they aren't used any longer, they belong to the theater's Museum.

domingo, 1 de julio de 2012

The Teatro Colón in Buenos Aires

Although I had a plan to post every Friday a new 'chapter' of my alternate futures explorations this had to be somewhat delayed; I was out of town for a week and after my return I had more pressing matters to attend to... So it might take a while to get going again; but before resuming the story, I would like to comment about the Teatro Colón in Buenos Aires, since it plays an important part in the story. It is one of the most renowned opera houses of the world, in par with its european counterparts, and has been visited by many first opera stars, many of whom consider a challenge to sing there, due to its superb acoustics.

There is much to wonder about the theater, things that go beyond the great musical quality of its settings: the massive building, the impressive panels made of tiny bits of stained glass, the paintings at the ceiling, some of them by renowned artists, the marble that greets the visitor almost everywhere; on a more technical side, it is also noted for housing a number of workshops that create everything needed to stage a performance: tailoring, painting, sculpting, carpenter's, make-up, photography and the like; ballet and music school... It is rare in its kind for having all of this in-house.
I was hoping to see the workshops, especially the tailoring one, which occupied a great deal of my thoughts since I was young and will be the subject of some of my musings into a different future; to my disappointment precisely these were closed to the public due to some restoration work they're undergoing; I think I should schedule another visit for a future time, when they open... but it was nevertheless worth every minute of the tour, you'll see.
The main entrance is located at the Libertad St., Nr. 611, it faces a park where sometimes the Colon Orchestra plays free concerts. The building was designed by an Italian architect named Francesco Tamburini; the construction started on May 1890 under his direction until he died next year; it continued under the direction of architect Vittorio Meano, an associate of Tamburini, who made some changes to the original design; but he, too, died long before the building was finished and was followed by the belgian Jules Dormal. All in all, the construction took about 20 years, much longer than initially intended. The full history is here (Spanish) or here in English.

Once inside, everything is really grand. There are marble sculptures lining the stairs, marble paneling the lower half of the inner walls (there are three different colors of marble), heavy velvety curtains, lamps with hundreds of light bulbs, ancient loveseats, a floor made of thousands and thousands of tiny tiles arranged manually in a semicircular pattern... The ceiling has a cupola of stained glass and there are stained glass panels on other parts of the ceiling and on the walls, as windows, all of them incredible beautiful and proof of a great artisanship, since they are made of small pieces of colored glass soldered in place by lead bars; their assembly demanded a great amount of manual work.
The performance hall has an enormous painting by Argentine artist Raúl Soldi given by him as a gift to the theater; he painted 16 canvases that were afterwards affixed at the cupola, 21 m in diameter. A picture can be found at wikipedia.
The theater also houses an original sculpture by german artist Gustav Eberlein, named "The Secret", portraying Cupid and Venus sharing a secret being told by Cupid, of incredible softness.

viernes, 29 de junio de 2012

viernes, 8 de junio de 2012

Exploring new job possibilities



In the 1980's there weren't so many advertising agencies to look for that I was aware of. Let's continue supposing that after any number of visits to big, middle and small agencies I got interviewed at some of them; some would have openings for receptionists, some for salespeople (ew...), some for beginners at the production desks; and still some of them would demand everything combined for a minimum wage. I would have been to be ready to take anything that might remotely link to my new chosen career path, even to take over some all-terrain jobs -which wouldn't seem such a bad idea, since it would be in fact aligned with my desire to learn as fast and as much as I could – if I could manage to live by the meager pay, that is. My mother received a better pension than the average of pensioner, but it was just enough to support her and her growing medical needs; as many people her age -she was 65- she suffered from heart disease, was diabetic and had atherosclerosis, all of which had to be regularly controlled.
I kind of imagine me getting a job as a receptionist at one of the smaller firms; I would really try to endure it a few months in order to meet the significant people and get the opportunity of helping them, thus working my way through till I landed at the designing desks. I have no trouble picturing myself in this sort of situation, it is not that different from the time when as a lawyer for the Bariloche communal government I developed a very good working relationship with the systems people (a field that I was too eager to command, too), getting even to be friends with some of them, which got me everything I needed from that particular area -software or hardware alike- if it was within their range to provide it; that is, almost always. At that time I had no real desire to switch jobs, even if I frequently fantasized about working in networking or as a sysadmin, because the one I was performing was fascinating and had a better pay than the ones I would be able to carry out there; but I believe that if I really wanted to, I would have been able to go over to systems. In this alternate future, with a great desire to switch jobs, it would certainly be the case: with some background preparation I would eventually get to aid at design, maybe at first without changing nominally my status; that would give me some experience while going on with my studies as well. I'd like to think that from then on my career would be steadily uphill, but I cannot honestly be sure about this, since on the other hand would have required a very different personality...
For one, I still barely felt at home in Buenos Aires, my heart still longed for other places, for other sensory experiences: a colder place, the icy touch of snow, the feathery appearance of cherry trees, the chanting sound of Japanese, the distant warmth shown by my various acquaintances, the soapy sweet smell of the o-furo, the full and round flavors of nabe and tonkatsu and yakitoriyas in winter. I hated the heat and the wetness of this rude city... And I still missed my one and only love, not being able to see other men even as temporary surrogates, no matter how desperately I tried. Not the best mood for a career, was it? I don't know if I would have ever overcome these feelings if in the real future I hadn't gone to Bariloche. Supposing that I had, would I have been able to recover my joy for life? Or would I have become a dull and grey person, one of those many people dragging their feet through their life, doing what they assumed the society at large expected, never daring to ask themselves what they really wanted?
On the other hand, I remember that I enjoyed so much my time at the atelier of Mara Sanchez -what a wonderful artist she was-; she made me feel highly motivated; she encouraged me to go on, she even saw some talent in me. When I was at it, I felt again alive. So, maybe it wouldn't have turned out bad, going into graphical advertising. And maybe I would eventually even get to something theatrical, be it regie or costume design, if not as a job, as a hobby. But that, if at all possible, should have to wait. I had a little son whom I loved beyond words -I don't know if he would know, I wasn't very good at showing people how much they mattered to me. That was the case especially with infants; well, I wasn't very fond of infants in general, only my son arouse such awe in me, that everything else seemed unimportant, and I wanted to give him everything. Only, I didn't know how to be around him; I reckon that I wasn't a very good mother, normal things like taking him to the park bored me enormously, I didn't know any games either. Watching that time from the present perspective, I can see that I sort of deemed him some kind of intellectual freak – he being not over 3 years old!- for whom watching cartoons (Thundercats, He-Man and the like), Star Trek and playing with action figures would be the most enjoyable thing to do (well, in fact he did enjoy it). I wanted to get him every possible action figure, funny gadgets and so on, without noticing that he was a little child and he deserved to play and get dirty at the park. Now I can see that I was the freak!
Had I stayed in Buenos Aires, eventually he would have gone to kindergarten and to school there; that would have been a step towards adaptation, if nothing else. It seems safe to assume that in time I would have been forced to notice him more as he really was and less as I imagined him to be... So, maybe all this mess would have turned into something possible, into something real. I, with a job I liked enough, my soul returning slowly to meet my body, my son growing up in a city he liked...

sábado, 2 de junio de 2012

What the Twilight Saga means to me

More than a year ago I watched the first of the Twilight films; it was a lousy copy with a bad translation but it somehow managed to catch my attention. Rob Pattinson's white face and stiff smile were so enticing, that I wasn't able to tell if it was the actor or the character I was attracted to (time showed me that it was, in fact, the character).  I promised myself that I would watch it again as soon as I could lay my hands on a decent copy in the original language. I forgot about it during a while.
Then, at a time when my feelings where all messed up I remembered about the saga; I dismissed my interest as foolish and naïve; I had spent several weeks doing barely more than watching films in search of whatever it was that eluded me, so it would be no surprise that this, too, was an escape. But nonetheless some of it still crept occasionally in my imagination; at the same time I was aware that the films had been an enormous success, drawing fans all over the world. Being it so I began to think that there had to be a reason for this, that the story must somehow speak to an unconscious craving of the spirit; it made me curious enough as to try to decipher what it might be.
I searched for the films -I was decided to postpone watching until I had the complete saga- and then I remembered that it was based on a novel; so I got the four novels AND the partial draft of Midnight Sun. As the character that interested me the most was Edward and I had a rough idea of the events in Twilight proper, I began reading Midnight Sun. It literally blew my mind as I took in the tangle of feelings that twisted Edward, I felt so identified! Of course, with its 264 pages it was not enough, I needed more; I wasn't much for reading Bella's point of view after having been so thoroughly moved by Edwards cogitations but on the other hand I really, really needed to see how it went on, step by step.
This way I spent about a week immersed in my reading, wanting nothing else than going further into the novels, paying as little attention to everyday matters as I could without letting my surroundings collapse, forgetting sometimes even to eat (those who know me will fully understand what this amounts to).
When I was done with the four and a half novels I had to begin again; I didn't seem able to set aside the world of Edward Cullen and his freaky, wonderful family. I was undoubtedly disturbed by this, it didn't seem at all normal to be in such a trance by a teenager-oriented novel or collection of novels; I loathed myself somewhat. But then I remembered what my motivations had been in the first place and found exactly what I was looking for. All the while I was aware of the intense feelings that accompanied each piece of reading, feelings that arouse from far in the past, from a time when I had experienced precisely those same feelings. Feelings that were so overcoming that I had buried most of them in a hollow chest.
They resurfaced with incredible force making me feel alive again. A sudden surge of creativity swept over my whole being, I felt full of energy -even if I spent the most of it on reading until crazy hours-, I had a couple of significant dreams pointing me in an altogether different direction as the one I had been heading to, I felt an urgent need to write about my feelings, about those emotions and events that had led to my present state; I began to practice again the piano excercises that I had long, long ago tried with the deepest pleasure and where as profoundly forgotten as the emotions that where resurfacing...
And then I knew that the value of Twilight does not lie on the story itself but on the way it expresses and manipulates feelings. The plain story might be construed as a rather shabby description of an abusive relationship; but there is more, much more to it; but the most important contribution of the novel can only be acquired -as far as I conceive it- when one sees it as a description of internal processes, of an eternal struggle between opposing poles, between the forces of nature and of the intellect, all pursuing a higher conscience. With that in view, the human girl might represent the barely conscious everyday mind that tries to blend in all the archaic elements of nature (the sun, the beach, the heat) with the distant elements construed by the intellect (the cold, the overthinking, the restraint), making an unbeatable whole where body, soul and mind are all one.
So, summing up, I am really grateful to the novels and their author for giving me one more chance to rethink my life. Finally, I would like to comment that I found at least one other person that made a similar reading raid, who finished all the four books in a week and had to start again as soon as she finished. Her account is here; she justified her second pass telling herself that she was analyzing the writing technique; I told myself that I was improving my English. But all in all, we seem to have fared quite similarly in that respect ;)


viernes, 1 de junio de 2012

Interleaved alternate futures - 2nd. part


In the previous post I toyed with the idea of imagining an alternate future where I stayed in Buenos Aires instead of moving to Bariloche, trying to figure out what would have happened if I had decided differently. To do this I tried to sum up the state of mind I was in at that time.
In this post I will go on from that point, assuming that I decided against relocating...

“No, I don't want to leave. My mom needs me, my son needs my mom”, would have been the responsible attitude. I still struggled to find a job; I still recoiled at the idea of working at a lawyer's office. I wanted to be an artist; or rather, an artist with scissors, although anything graphical suited me; I wanted to design clothes, I even designed a rather funny looking raincoat, which I obviously was unable to sell. Being this so, relocating to some distant place where there would be apparently more opportunities and also a loose family web as my would be husband suggested didn't seem to be such a bad idea, which is why -among other reasons- in the real world I moved.
If I had instead stayed in Buenos Aires, I would have surely begun to look for jobs in some branch related to my new interests to meet the need of a steady income. I had no experience whatsoever in the clothing industry, so I knew that at most I would only be able to get beginner's jobs at any workshop; and even those wouldn't be guaranteed, since there were many people more suited to them and more in need than I was.
Working as independent designer was out of the question, I knew no one in the industry and even if my designs where sellable -which they were not by a long shot-, nobody would have known; getting past those limitations would mean a great deal of time and investment, which at that time I couldn't afford. So maybe I would be able to get some job at a factory --ew-- and from there on get trained and eventually go to design. Not very realistic, it seemed... Better start looking another direction.

Would I have been strong enough to go through what made me happy but was really hard to do? I don't believe so; but let's suppose for a moment that I was. I wanted badly to go artistic. Designing clothes would be one possibility; designing theater clothing would rank first place in my list. After being shown that there existed something like costume design by a talk held by Roberto Oswald & Anibal Lapiz for the Graphical Design students -at that time a branch from the Architecture Faculty- explaining their respective jobs as scenographer and costume designer for the Teatro Colon opera theater, I liked to picture myself as an apprentice at its costume workshop, led by Mr. Lapiz himself. I still remember how the talk made me feel, it sent my heart thudding as if I were flying! The apprenticeship thing would mean no money and a lot of work but would have as an advantage that I would be swirling around so many fascinating materials – leather, plastic, an unbelievable amount of fancy cloth and designs and whatever Mr. Lapiz might come across!
I was deeply moved by the possibilities luring in that talk, feeling immediately that it was what I most wanted to do for a living. It's a pity that I never made it to the end with that student year nor tried earnestly to apply for an apprenticeship, it might have changed things...

Had I held my own then, things might have fared differently. But it was no easy thing to do. That must have been around 1986, the last year I worked at the Senate. I was getting more and more anxious about my next job; I was pretty sure that one wouldn't last past the end of the year and that I also didn't want to have much to do with politics (this seems to be a repetitive pattern, I'd say: trying to push myself off government affairs but at the same time being attracted to them like they were a magnet, as noted previously....)
Anyway, returning to that specific point in time... I had decided that failing the apprenticeship thing I had fantasized about I would like to make a living in some field related to visual arts; I had been attending an atelier, and I found I had some talent. That year I had begun the Graphical Design studies. It was not easy to keep up with it, since I still had to take care of my duties at the Senate, which weren't enormously complicated but involved strange working hours, and I wanted to take care of my son, too, who at the time was barely 3 years old; sometimes also of my mother, who was aging and not too healthy; on top of it all I didn't want to leave my Aikido practice...
Would I have been able to do it? Mmmmm, it's rather tricky to imagine the situation... Usually my fellow students got on my nerves - “I can't stand it any more, these barely-out-of-school teenagers!” -I was 31 at the time- was a recurrent resentful thought as I tried to complete my assignments in the first of our introductory courses. Remembering that I had so little time left over and that I didn't particularly like drawing squares, they really irritated me with their babbling and petty tensions that led nowhere. It was rather difficult to grasp exactly what was expected from us, why we should repeat once and again squares and rhomboids and triangles and figure thousands of different graphic textures – I wanted to paint!! Well, in fact the reason of the assignments was quite obvious, but still I rejected them.
The teacher wasn't very helpful either, she gave the assignments without much explaining nor giving us other material to compare. “I will stand it, I will make it to the end”, I repeated myself every time I lost my patience; as it turned out, I could not manage it. What if I had been able to put away all the non-essentials that bothered me so much and made it through that course?
It would be fairly reasonable to expect that I would limit my different activities somehow, not without feeling some guilt; for instance, as my distant possibilities at making my job at the Senate permanent steadily fade away, I would try to have a more normal schedule at work instead of the one from 8:00 a.m to 11:00 pm with breaks I had been doing up to then; maybe I would also try to content myself with doing just what was specifically asked for without trying to give much more. It would also be necessary to quit my Aikido practice or at least diminish a lot the time I devoted to it, since the assignments would become increasingly demanding; if I could make it through the whole of the 1st year introductory courses I would be well on my way to start studying the real thing – or so I should believe.
Although I would try to be accepted at the theater costume workshop, I can hardly imagine that it would be possible. But on the other hand I figure that if I managed to get through the whole introductory course at Graphical Design it would have given me some skills to use in order to look for a new job, probably in graphical advertising. I would have begun my search even before the end of the term, throwing CVs onto the prospective employers' desks. I would have to be extremely careful to hide some of my skills, since nobody wanted overly competent employees; as it has been and to some extent still is the norm, businesses want people with just enough skills to fulfill their duties, disregarding those with additional abilities. It might be okay to state that I could communicate both in English and German as well as my native Spanish, may be it would be also okay to hint at my most basic Japanese skills; but it would definitely be out of the question to state that I was a graduated lawyer. Would the fact that I was a mother of a three year old infant be a hindrance? Surely. But on the other hand, serious employers would be required to know in order to comply with the laws governing labor relations. Well, I would deal with that when I had to...


(next installment: Exploring new job possibilities)

viernes, 25 de mayo de 2012

Interleaved alternate futures

Presently I am a middle-aged jobless lawyer, living in a relatively small city in the South Cone, struggling to make a living with my private practice. Until recently I was working as counselor for some lawmakers and before that I was attorney and counselor for the city government, comprising all in all a time span of about nine years. And before that I worked for a union for several years. Never quite letting my private practice get a real start.
 My children, now between 20 and 30, aren't quite happy about my career choices. They have suffered the most, as money never flowed well into our home; since my divorce I have been struggling to support us the best I could think of, and in fact they did great: all finished high-school, learned languages and some other skills and they could live through their childhood without much thinking about it; but they resent the fact that there never was enough money to do fancy holidays or to buy us a house, o even a new car. One of them even resents the fact that I've moved to such a small city...
 Well, that got me thinking, what would my life have been like, hadn't I left the big city? Would I have been happier? More proficient in anything? More able to make money? I really doubt it, for a long time I held the feeling that, had I continued living in the capital, a car crash o some other likely accident would have killed me, since my soul was almost completely outside my body; considering that barely a month and a half since my arrival in Bariloche I almost got burned up, that feeling seems not to have been much far-fetched. I cannot be sure, of course; nobody knows what “would have happened if”, only what really happened is certain.
But nonetheless it might still be an interesting exercise, to spun other possible futures, trying to see how things would have developed if certain decisions had been different. So I feel I owe myself some thinking on it, starting from the most significant turning point, that is, my decision to move to Bariloche. Maybe I begin to intermix English and Spanish, I don't even know why I chose English now – maybe to detach myself enough as to be able to think other possibilities? Or would it be that my Spanish is too tainted by legalese that I can't write in a normal, colloquial style anymore? I don't know, let's see what comes out of this.

I'm not moving
How do you begin imagining other possible future? Most probably by bringing to your memory the events immediately surrounding the one you are not going to let be.
So maybe it helps to remember why I moved, why I was eager to relocate to Bariloche. I had recently, lost my job. A good job, with good pay, at the Legislative Branch; but it didn't make me happy, there were too many downsides to it, I didn't feel like making a political career and abiding by the intricacies and obscurities of political negotiation. So I dind't try to get it back, which might have been possible if I weren't so intent on being myself. (Maybe this would make another interesting turning point, and the question arises again, if a political career is that much not being myself...).
I began looking for other things to do. Beginner's work at some lawyer's office did not seem something suitable, most of the available posts required extended work hours, a considerable investment on bar fees and offered a very poor pay in exchange. As it would be the norm afterwards in the real future, I looked fervently for ways not to put my lawyer qualification to use. By that time I met the man who would eventually be my husband in the real future, and together we did some Shiatsu and distributed new age music. He had family in Bariloche and I wanted badly to move away from the hot and wet weather in Buenos Aires; I guess I wanted also to move away from some painful memories that I didn't seem to be able to get over, and away, away from my longing for Japan. It had been almost five years since I returned, but I missed everything Japanese so much that I wasn't even able to breathe without longing for the smells I had been immersed in for about a year. So many awkward feelings overwhelmed me during those five years! Like feeling that crossing the next street I would appear on some specific spot in Tokyo, or feeling I saw and heard some friend from overseas; all in all it was like living with one half of my body in Buenos Aires and the other half across the divide; or rather, more accurately, having my body in the present city and my soul in Japan; I never got to reunite both at that time; all the while I pictured myself standing across a rift, one leg on each side, hopelessly wishing to jump to the one side I felt my home. In many ways, my return from Japan left me in a much worse state than the broken love before the trip; at least, soon after it became apparent that my love project wasn't having any future, I had the stamina to think about journeying to Japan all by myself – not that I didn't suffer the loss while there, the leaking hole was there, but it somehow didn't engulf my whole being and I was able to enjoy life, too.
Things being so, I was more than happy to relocate to a remote place in the South, where summers where not humid and snow fell in winter; a place with woods surrounding it, where nature was a real presence. But things didn't turn out that well in the South, either. What if....? How would things have turned out if I'd stayed? To figure this out, it's important to remember that my mood was awful at that time, that I had no balance, I had lost my center...
(... to be continued...)

martes, 24 de abril de 2012

Mis profundidades

Bajar hasta las profundidades más oscuras... Subir... Sentir la luz bañarme con su lluvia de oro...